A total of 149 custom panels cover nearly 11,000 sq. ft. of the facade, providing a passive approach to daylighting, glare reduction, shading, and solar heat gain reduction. The Georgia BioScience Training Center is a signature building with a dual purpose: a high-tech facility supporting research critical to bio-manufacturing that brings identity to Georgia’s growing
Columbia University’s expansion has been selected by LEED for their Neighborhood Design pilot program, which calls for the integration of smart growth principles and urbanism at a neighborhood scale. Renzo Piano Building Workshop (RPBW) is designing four buildings to be built over the upcoming years as a first phase of Columbia University’s Manhattanville campus expansion.
Unbroken bands of window walls sit beyond an exterior concrete structural frame. Completed earlier this year, a new market rate rental building on Manhattan’s Upper West Side by Handel Architects features a striking exposed cast-in-place concrete diagrid “exoskeleton” structure. The system is designed in response to required zoning code setbacks that restrict building area to a
Richlite-clad museum expansion inspired by industrial context and Old West art collection. Commissioned to craft an extension to the Antoine Predock–designed Tacoma Art Museum, Olson Kundig Architects sought inspiration in both the history of the site and the art collection itself. Located in the city’s Union Depot/Warehouse historic district, the museum is surrounded by brick
Marc Jacobs flagship store features a tripartite facade of aluminum, tile, and glass. Commissioned to design Marc Jacobs‘ flagship Tokyo store, Jaklitsch/Gardner Architects‘ first order of business was to rectify the desire for an iconic urban presence with strict local regulations. To make the 2,800-square-meter shop more visible from nearby Omotesando Street, the architects took
Renovation transforms decommissioned McKim Mead & White building into campus event space. When Amherst College decided to convert a former steam plant into a student event space, the choice likely struck some observers as odd. Designed in 1925 by McKim, Mead & White, the coal-burning plant was decommissioned in the 1960s; since the 1980s, it
Virginia Tech students demonstrate a light touch with glass and steel pavilion. The undergraduate architecture students enrolled in Virginia Tech‘s design/buildLAB begin each academic year with an ambitious goal: to bring a community service project from concept through completion by the end of the spring semester. In addition to the usual budget and time constraints,
Zinc and glass unite riverfront pavilion and pump house. In 2009, just as construction on its Principal Riverwalk pavilion was about to begin—and following years of funding-related stops and starts—Des Moines-based Substance Architecture received some unexpected news. The firm was commissioned to design a second building, a pump house, on an abutting plaza. At that
Brick and metal transform a tired office block into a residential building worthy of its site. Located on a slice of land adjacent to the Potomac River in Old Town Alexandria, Virginia, the 1984 Sheet Metal Workers Union National Pension Fund building failed to live up to the site’s potential. “I’ve used this in a